Friday, 29 November 2013

VOLTAIRE pics by John Hinitt







Two photos of Voltaire taken by John Hinitt at The Tom Paine Printing Press, November 2013

Saturday, 16 November 2013

Letterpress Masterclass



The Tom Paine Printing Press would like to spread the word about the Letterpress Masterclass with Phil Baines at Ditchling Museum of Art + Craft

Church Lane, Ditchling, East Sussex BN6 8TB, 01273 844744   

Monday 24 Feb 2014 11am - 5pm

5 spaces available

Adults £200 incl. materials, lunch and morning/afternoon refreshments

This is a fantastic opportunity to learn more about the wonderful world of letterpress from Professor of typography Phil Baines. Phil is a graphic designer and letterpress practitioner, and Professor of Typography at Central Saint Martins, University of the Arts London. He designed the re-branding for Ditchling Museum of Art + Craft which was influenced by the letterpress and lettering of the Museum’s collection. 

During this master class you will get a rare opportunity to print using the Stanhope Press which was used by founding guild members Eric Gill and Hilary Pepler to produce work for St Dominic’s Press. As the Museum is closed to the public on a Monday there will be unlimited access to the galleries for inspiration and you will have special access to works not on display to see and learn about our print collection from the Curator, which is bound to inspire your own letterpress creations. Participants will be able to produce work on the Stanhope and some of our smaller presses to take away. All materials for the day come supplied and delicious refreshments will be served making this master class a real treat for the discerning letterpress enthusiast!


 

Thursday, 12 September 2013

London Art Book Fair 12 to 15 September 2013

STOP PRESS! Altazimuth Press and Tom Paine Printing Press are showing work at the London Art Book Fair at the Whitechapel Gallery from 12th to 15th September 2013. Thurs 6-9; Fri-Sun 11-6. Admission free.

We will also be showing at the Oxford Fine Press Book Fair at Oxford Brooks University during the first weekend in November.

Monday, 8 July 2013

Nelson & Royal Tars Poster at Tom Paine Press






A Staffordshire Nelson jug standing next to the letterpress-printed Royal Tars poster, first printed in Lewes by W. & A. Lee c.1800. William Lee, the founder of this printing business in Lewes, was the publisher of the Sussex Weekly Advertiser, and also the printer of Tom Paine's first pamphlet, The Case of The Officers of Excise.

Saturday, 22 June 2013

Voltaire & Melvyn Bragg visit Tom Paine Press

Recent visitors to the Tom Paine Printing Press include Melvyn Bragg (not shown), who is doing a documentary about Thomas Paine, and Voltaire (pictured above).

Saturday, 23 February 2013

Peter Chasseaud at CODEX 2013


Peter Chasseaud showing the work of his Altazimuth Press (poetic photobooks: Kings Cross, Thames - The London River, and The East London Line - An Elegiac Meta-landscape), and of the Tom Paine Printing Press (letterpress book BLAST? and other letterpress work, including broadsides), at CODEX 2013 artists book fair in Berkeley (San Francisco), California, in February 2013. [Photo courtesy of Dmitry Sayenko - thank you Dmitry!].

Tuesday, 5 February 2013

Tom Paine Printing Press & Altazimuth Press at CODEX 2013

I will be showing work from The Tom Paine Printing Press and Altazimuth Press at CODEX Artists Book Fair:

CODEX International Book Fair 2013

Sun. Feb. 10 to Wed. Feb. 13


The CODEX 2013 INTERNATIONAL BOOK FAIR will be held at a new venue, the beautiful waterfront Craneway Pavilion, located in Richmond at 1414 Harbour Way South.

Over 175 of the world’s most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their art and craft.

There is no better place to find and collect the finest in contemporary artist books, typographic prints, and fine printing than at CODEX.


CODEX IV Book Fair Hours
Sunday, February 10th: 11:00AM - 4:30PM
Monday, February 11th: 12:30PM - 6PM
Tuesday, February 12th: 12:30PM - 6PM
Wednesday, February 13th: 11:00AM - 4PM


Admission
Multi-day: $25.
Single-day: $10.
Student(with ID): $10 (multi-day)


Public Transportation
The best way to plan your trip via public transport is by using Google maps. Use the public transportation option and Google will automatically include BART and AC Transit schedules based on your departure/arrival choices. Click here to plan with Google maps.


Driving Directions
The Craneway Pavilion is located in Richmond
on the waterfront at 1414 Harbour Way South.

Click here to plan with Google maps.

Saturday, 18 August 2012

New Prints, August 2012







Two new limited edition prints from the Tom Paine Printing Press in August 2012. The top one is for the London Art Book Fair at the Whitechapel Gallery in September, and the bottom one is just for fun, but I'll be showing it at the Whittington Press open day on 1st September, at the Whitechapel, and also at the Dorchester Abbey print show in October.

Monday, 30 July 2012

LEWES - CENTRE OF THE COSMOS


This just about sums it up! 
A new letterpress print by PeterChasseaud

See work by Peter Chasseaud and The Tom Paine Printing Press at:

Whittington Press Open Day - first Saturday in September
Whitechapel Art Book Fair in September
Dorchester Abbey, Dorchester on Thames, Oxfordshire in October
CODEX artists book fair in Berkeley, California, in February 2013

Sunday, 22 April 2012

RECENT WORK

April 2012 already! I can't believe it's April already, and so much recent work to add. There's never enough time! I've been steadily printing new letterpress items of the wooden Common Press and the 1843 Albion, and also just completed writing an article for Matrix on Hilary Pepler and St Dominic's Press. I'm also getting commissions for book and magazine covers (e.g. VIVA LEWES December 2011), invitations, letterheads and business cards, and these, of course, take up even more time. But people love the clear letterpress impression on dampened hand-made paper, just as they love the Tom Paine Printing Press printing house and gallery at 151 High Street, Lewes. Several times a week I'm told 'What a wonderful shop' by entranced visitors.

The last letterpress book I produced was BLAST?, a large folio printed on the Common Press, which was shown last December by Art & Fiction in Lausanne, Switzerland, at their Mode de Vie demontage event, for which I also designed and printed the posters. Here are some of the page spreads.









The most recent letterpress broadside I printed was A Good Booke, being quotations from Milton's Areopagitica. Image to follow.

Sunday, 23 October 2011

WICKER WOMAN - A RECENT ADDITION , & OTHER NEWS


Here's a pic of Wicker Woman (or T'Wicker Woman, as we used to say in Sheffield). She found her way to The Tom Paine Printing Press a few weeks ago, and I liked her poise so much that I asked her to stay.

I'll be showing my 'BLAST?' letterpress book (images to follow) at the Oxford Fine Press Book Fair at Oxford Brooks University on 5th & 6th November (damn! I'll be missing Lewes Bonfire).

Recently I've printed a small broadside 'Hurrah! For Bonfire', and also a front cover for the December issue of 'Viva Lewes' (also images to follow).

Sunday, 18 September 2011

RECENT & FORTHCOMING ACTIVITIES


Two views of Jonny Hannah's work at The Tom Paine Printing Press

It seems I've been too busy printing and running the Tom Paine Printing Press and Press Gallery to update this blog! Recent events of note were attending the Ditchling Museum Ball (to raise funds for the redevelopment of the Museum) last night at Mount Harry House, a visit to the Whittington Press Open Day on 3rd September, and putting on a show of Jonny Hannah's 'McVouty' and other work at the Press Gallery which ran for two weeks and three weekends during the Lewes District Artwave Festival in late August and the first part of September.

Later this week I'm showing my work at the Whitechapel Art Book Fair (Thursday 22 Sept to Sunday 25 Sept). NB: Thursday is by invitation only. This will be a chance to see my new large-format all-letterpress artist's book 'BLAST?'. I'll post some photos here soon. I'll also be showing some other letterpress work, and my poetic photobooks.

During the first weekend in November I'm showing a large selection of my work at the Oxford Fine Press Fair at Oxford Brooks University.

Thursday, 16 June 2011

NEW LONDON LETTERPRESS PRINT: SWEET THAMES




Here is the forme, and an artist's proof, for my new limited edition print, a typographical map entitled Sweet Thames. So many peple liked my earlier print The East London Line, which covered the same part of London, that I decided to produce this new one. My standard size for these prints, dictated by the maximum sheet I can print on my replica 18th-century wooden common press, is a bit larger than A2, and to print this sheet I have to pull three times, winding the carriage under the platen in three stages.

Tuesday, 24 May 2011

RECENT WORK AT THE PRESS, MAY 2011

Ditchling Museum Ball forme on the bed of the Common Press

Ditchling Museum Ball print

A Bodoni Bestiary; in 48pt Bodoni Italic, printed on Khadi hand-made paper
on the Albion benchtop press

48pt Bodoni Bold Italic Alphabet printed on Khadi hand-made paper
on the Albion bench-top press

Sunday, 22 May 2011

VISIT TO STANHOPE PRESS AT DITCHLING MUSEUM




Today I visited Ditchling Museum, where Jenny KilBride, Chairman of the Trustees, was kind enough to show me the Stanhope press (No. 50), and explain to me the development plans for the Museum (see www.ditchling-museum.com).

This is the very iron press brought to Ditchling by Hilary Pepler when he set up his first printing operation there (intially known as 'Ditchling Press') in January 1916. At the same time it was joined in Ditchling by a crown folio Albion press and two founts of Caslon Old Face type. The name of the Press was later changed to 'St Dominic's Press', after the Guild of St Joseph and St Dominic, but reverted after a couple of decades to 'The Ditchling Press'. This Stanhope press was later owned by Justin Howes, but returned to Ditchling after Justin's death in 2005.

The press, and indeed all the contents of Ditchling Museum, is being put into store for a couple of years while the Museum is being renovated and enlarged, so I was lucky to be able to see it in situ before it is dismantled. The Museum is currently appealing for funds for the renovation and building work, and is planning a big fundraising ball in September for which I am designing and printing in letterpress the poster and publicity artwork.

I am also working on a book on Ditchling printing to coincide with the reopening of the Museum. This will focus on the materiality of the printing establishment at Ditchling, rather than on the products of St Dominic's Press for which there exist several bibliographies.

Sunday, 8 May 2011

ALTAZIMUTH PRESS & TOM PAINE PRINTING PRESS AT BRISTOL ARTISTS BOOK FAIR & IMPRIMERIE CLOT, BRAMSEN & GEORGES, PARIS

Brilliant Trolley Service Theatre at BABE 2011
Customer Dance at BABE 2011

Two of my Typographical Prints at BABE 2011

Voirin Cylinder Direct Litho Press at Imprimerie Clot, Bramsen & Georges, Paris

Two more of my Typographical Prints at BABE 2011

My Altazimuth Press and Tom Paine Printing Press Stand at BABE 2011

Row of my Typographical prints at BABE 2011

Voirin star-wheel direct litho press at Editions Atelier Clot

Two of these images are of lithographic presses (an old Voirin star-wheel press, used for proofing, and a powered Voirin cylinder direct press) at the Editions Atelier Clot, Imprimerie Clot Bramsen & Georges Paris, which we visited last week and where we were very generously shown around by the master lithographer Christian Bramsen. It was particularly good to see very large lithographic stones being used.

The other images are of the Altazimuth Press and Tom Paine Printing Press stand at the Bristol Artists Book Event (BABE) on 30 April and 1 May, which was a great success overall, and particularly for the Altazimuth and Tom Paine Printing Presses. There was a huge amount of interest in my creative typography, some of which I showed last September at the Whitechapel (London Art Book Fair).

Saturday, 26 February 2011

New ALPHABET prints


Here are two new ALPHABET prints which I've just composed and printed. The top one is in the form of a folding card, printed on Khadi hand-made paper. I just pulled 26 words out of my head for this. It's printed on the Albion press. The height is roughly that of an A4 sheet.

The lower print is a composition created from the 26 letters of the alphabet, all upper case, and all set at 45 degrees to the paper edge. This is printed on the wooden handpress (the 'common press'). It is a bit larger than A2 size.

Saturday, 5 February 2011

Columbian Press & Tom Paine Printing Press at Works on Paper Fair

This Columbian Press, in front of my stand at the Watercolours and Works on Paper Fair, is unfortunately not part of The Tom Paine Printing Press's stable of presses! It's the last remaining press in the Science Museum's old printing gallery on the second floor. All the others have been moved out and put in store.

Printing is getting a rough deal from museums in London: no printing gallery any more at the Science Museum, the Type Museum closed indefinitely for lack of funds, the British Library printing gallery closed and its wooden 'common press' relegated to a corner outside the lavatories, and the display at St Bride not open to the public on a regular basis. The Science Museum in particular has no excuse, as it has huge amounts of under-utilised space. It's a great shame that museums seem to have abdicated any reponsibility they may once have felt to cherish our material culture (i.e. things and stuff) and to display and interpret them for the present and future generations. They seem to believe more in empty spaces (remind you of art galleries? Think Tate Modern's Turbine Hall as the classic example), which can be used for outside events and corporate entertaining. If the stuff isn't there on display, it can't feed and stimulate young imaginations. I remember when the Science and other museums were 'mathom houses' chock-full of magical things, and the wonderful effect this had on me and on others. Now they only show a tithe of their original displays. Philistines indeed! Trahaison des clercs.

Saturday, 29 January 2011

Happy Birthday to Tom Paine, and other letterpress work




Today's window display is an assemblage of wood-letter blocks: TOM HAPPY BIRTHDAY. Tom Paine was born in Thetford, Norfolk, on 29 January 1737.

Alaso shown are various letterpress Valentine cards, and an 'OFF WITH THEIR HEADS' print - not merely a topical allusion but a quotation from the mouth of Lewis Carroll's Red Queen in Alice.

Here's some quick info about where I'm showing my work (Altazimuth Press, poetic photobooks, and Tom Paine Printing Press, creative letterpress) this year (2011; accurate dates to follow):

2011

Works on Paper Fair, Science Museum, South Kensington, London, 2-7 Feb 2011

Here Gallery, Bristol, March 2011

Bristol Artists Book Event (BABE), April/May 2011

Artwave, Lewes, August-September 2011

Whitechapel Art Book Fair, September 2011

Oxford Fine Press Book Fair, November 2011

2012

Phoenix Brighton Open Studios: May 2012

Sunday, 19 December 2010

Off With Their Heads - Peter Chasseaud's new typographical print

With thanks to Lewis Carroll, who featured this phrase in Alice in Wonderland (the Queen of Hearts ordering the decapitation of the three gardeners).