Two photos of Voltaire taken by John Hinitt at The Tom Paine Printing Press, November 2013
Friday, 29 November 2013
Saturday, 16 November 2013
Letterpress Masterclass
The Tom Paine Printing Press would like to spread the word about the Letterpress Masterclass with Phil Baines at Ditchling Museum of Art + Craft,
Church Lane, Ditchling, East Sussex BN6 8TB, 01273 844744
Monday 24 Feb 2014 11am - 5pm
5 spaces available
Adults £200 incl. materials, lunch and morning/afternoon refreshments
This is a
fantastic opportunity to learn more about the wonderful world of letterpress
from Professor of typography Phil Baines. Phil is a graphic designer and
letterpress practitioner, and Professor of Typography at Central Saint Martins,
University of the Arts London. He designed the re-branding for Ditchling Museum
of Art + Craft which was influenced by the letterpress and lettering of the
Museum’s collection.
During this master class you will get a rare opportunity to print using the Stanhope Press which was used by founding guild members Eric Gill and Hilary Pepler to produce work for St Dominic’s Press. As the Museum is closed to the public on a Monday there will be unlimited access to the galleries for inspiration and you will have special access to works not on display to see and learn about our print collection from the Curator, which is bound to inspire your own letterpress creations. Participants will be able to produce work on the Stanhope and some of our smaller presses to take away. All materials for the day come supplied and delicious refreshments will be served making this master class a real treat for the discerning letterpress enthusiast!
During this master class you will get a rare opportunity to print using the Stanhope Press which was used by founding guild members Eric Gill and Hilary Pepler to produce work for St Dominic’s Press. As the Museum is closed to the public on a Monday there will be unlimited access to the galleries for inspiration and you will have special access to works not on display to see and learn about our print collection from the Curator, which is bound to inspire your own letterpress creations. Participants will be able to produce work on the Stanhope and some of our smaller presses to take away. All materials for the day come supplied and delicious refreshments will be served making this master class a real treat for the discerning letterpress enthusiast!
Thursday, 12 September 2013
London Art Book Fair 12 to 15 September 2013
STOP PRESS! Altazimuth Press and Tom Paine Printing Press are showing work at the London Art Book Fair at the Whitechapel Gallery from 12th to 15th September 2013. Thurs 6-9; Fri-Sun 11-6. Admission free.
We will also be showing at the Oxford Fine Press Book Fair at Oxford Brooks University during the first weekend in November.
We will also be showing at the Oxford Fine Press Book Fair at Oxford Brooks University during the first weekend in November.
Monday, 8 July 2013
Nelson & Royal Tars Poster at Tom Paine Press
A Staffordshire Nelson jug standing next to the letterpress-printed Royal Tars poster, first printed in Lewes by W. & A. Lee c.1800. William Lee, the founder of this printing business in Lewes, was the publisher of the Sussex Weekly Advertiser, and also the printer of Tom Paine's first pamphlet, The Case of The Officers of Excise.
Labels:
Admiral Nelson,
Royal Navy,
Royal Tars,
Shoreham Sussex
Saturday, 22 June 2013
Voltaire & Melvyn Bragg visit Tom Paine Press
Recent visitors to the Tom Paine Printing Press include Melvyn Bragg (not shown), who is doing a documentary about Thomas Paine, and Voltaire (pictured above).
Saturday, 23 February 2013
Peter Chasseaud at CODEX 2013
Peter Chasseaud showing the work of his Altazimuth Press (poetic photobooks: Kings Cross, Thames - The London River, and The East London Line - An Elegiac Meta-landscape), and of the Tom Paine Printing Press (letterpress book BLAST? and other letterpress work, including broadsides), at CODEX 2013 artists book fair in Berkeley (San Francisco), California, in February 2013. [Photo courtesy of Dmitry Sayenko - thank you Dmitry!].
Tuesday, 5 February 2013
Tom Paine Printing Press & Altazimuth Press at CODEX 2013
I will be showing work from The Tom Paine Printing Press and Altazimuth Press at CODEX Artists Book Fair:
CODEX International Book Fair 2013
The CODEX 2013 INTERNATIONAL BOOK FAIR will be held at a new venue, the beautiful waterfront Craneway Pavilion, located in Richmond at 1414 Harbour Way South.
Over 175 of the world’s most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their art and craft.
There is no better place to find and collect the finest in contemporary artist books, typographic prints, and fine printing than at CODEX.
CODEX IV Book Fair Hours
Sunday, February 10th: 11:00AM - 4:30PM
Monday, February 11th: 12:30PM - 6PM
Tuesday, February 12th: 12:30PM - 6PM
Wednesday, February 13th: 11:00AM - 4PM
Admission
Multi-day: $25.
Single-day: $10.
Student(with ID): $10 (multi-day)
Public Transportation
The best way to plan your trip via public transport is by using Google maps. Use the public transportation option and Google will automatically include BART and AC Transit schedules based on your departure/arrival choices. Click here to plan with Google maps.
Driving Directions
The Craneway Pavilion is located in Richmond
on the waterfront at 1414 Harbour Way South.
Click here to plan with Google maps.
CODEX International Book Fair 2013
Sun. Feb. 10 to Wed. Feb. 13
The CODEX 2013 INTERNATIONAL BOOK FAIR will be held at a new venue, the beautiful waterfront Craneway Pavilion, located in Richmond at 1414 Harbour Way South.
Over 175 of the world’s most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their art and craft.
There is no better place to find and collect the finest in contemporary artist books, typographic prints, and fine printing than at CODEX.
CODEX IV Book Fair Hours
Sunday, February 10th: 11:00AM - 4:30PM
Monday, February 11th: 12:30PM - 6PM
Tuesday, February 12th: 12:30PM - 6PM
Wednesday, February 13th: 11:00AM - 4PM
Admission
Multi-day: $25.
Single-day: $10.
Student(with ID): $10 (multi-day)
Public Transportation
The best way to plan your trip via public transport is by using Google maps. Use the public transportation option and Google will automatically include BART and AC Transit schedules based on your departure/arrival choices. Click here to plan with Google maps.
Driving Directions
The Craneway Pavilion is located in Richmond
on the waterfront at 1414 Harbour Way South.
Click here to plan with Google maps.
Saturday, 18 August 2012
New Prints, August 2012
Two new limited edition prints from the Tom Paine Printing Press in August 2012. The top one is for the London Art Book Fair at the Whitechapel Gallery in September, and the bottom one is just for fun, but I'll be showing it at the Whittington Press open day on 1st September, at the Whitechapel, and also at the Dorchester Abbey print show in October.
Monday, 30 July 2012
LEWES - CENTRE OF THE COSMOS
This just about sums it up!
A new letterpress print by PeterChasseaud
See work by Peter Chasseaud and The Tom Paine Printing Press at:
Whittington Press Open Day - first Saturday in September
Whitechapel Art Book Fair in September
Dorchester Abbey, Dorchester on Thames, Oxfordshire in October
CODEX artists book fair in Berkeley, California, in February 2013
Sunday, 22 April 2012
RECENT WORK
April 2012 already! I can't believe it's April already, and so much recent work to add. There's never enough time! I've been steadily printing new letterpress items of the wooden Common Press and the 1843 Albion, and also just completed writing an article for Matrix on Hilary Pepler and St Dominic's Press. I'm also getting commissions for book and magazine covers (e.g. VIVA LEWES December 2011), invitations, letterheads and business cards, and these, of course, take up even more time. But people love the clear letterpress impression on dampened hand-made paper, just as they love the Tom Paine Printing Press printing house and gallery at 151 High Street, Lewes. Several times a week I'm told 'What a wonderful shop' by entranced visitors.
The last letterpress book I produced was BLAST?, a large folio printed on the Common Press, which was shown last December by Art & Fiction in Lausanne, Switzerland, at their Mode de Vie demontage event, for which I also designed and printed the posters. Here are some of the page spreads.
The most recent letterpress broadside I printed was A Good Booke, being quotations from Milton's Areopagitica. Image to follow.
The last letterpress book I produced was BLAST?, a large folio printed on the Common Press, which was shown last December by Art & Fiction in Lausanne, Switzerland, at their Mode de Vie demontage event, for which I also designed and printed the posters. Here are some of the page spreads.
The most recent letterpress broadside I printed was A Good Booke, being quotations from Milton's Areopagitica. Image to follow.
Sunday, 23 October 2011
WICKER WOMAN - A RECENT ADDITION , & OTHER NEWS
Here's a pic of Wicker Woman (or T'Wicker Woman, as we used to say in Sheffield). She found her way to The Tom Paine Printing Press a few weeks ago, and I liked her poise so much that I asked her to stay.
I'll be showing my 'BLAST?' letterpress book (images to follow) at the Oxford Fine Press Book Fair at Oxford Brooks University on 5th & 6th November (damn! I'll be missing Lewes Bonfire).
Recently I've printed a small broadside 'Hurrah! For Bonfire', and also a front cover for the December issue of 'Viva Lewes' (also images to follow).
Sunday, 18 September 2011
RECENT & FORTHCOMING ACTIVITIES
It seems I've been too busy printing and running the Tom Paine Printing Press and Press Gallery to update this blog! Recent events of note were attending the Ditchling Museum Ball (to raise funds for the redevelopment of the Museum) last night at Mount Harry House, a visit to the Whittington Press Open Day on 3rd September, and putting on a show of Jonny Hannah's 'McVouty' and other work at the Press Gallery which ran for two weeks and three weekends during the Lewes District Artwave Festival in late August and the first part of September.
Later this week I'm showing my work at the Whitechapel Art Book Fair (Thursday 22 Sept to Sunday 25 Sept). NB: Thursday is by invitation only. This will be a chance to see my new large-format all-letterpress artist's book 'BLAST?'. I'll post some photos here soon. I'll also be showing some other letterpress work, and my poetic photobooks.
During the first weekend in November I'm showing a large selection of my work at the Oxford Fine Press Fair at Oxford Brooks University.
Later this week I'm showing my work at the Whitechapel Art Book Fair (Thursday 22 Sept to Sunday 25 Sept). NB: Thursday is by invitation only. This will be a chance to see my new large-format all-letterpress artist's book 'BLAST?'. I'll post some photos here soon. I'll also be showing some other letterpress work, and my poetic photobooks.
During the first weekend in November I'm showing a large selection of my work at the Oxford Fine Press Fair at Oxford Brooks University.
Thursday, 16 June 2011
NEW LONDON LETTERPRESS PRINT: SWEET THAMES


Here is the forme, and an artist's proof, for my new limited edition print, a typographical map entitled Sweet Thames. So many peple liked my earlier print The East London Line, which covered the same part of London, that I decided to produce this new one. My standard size for these prints, dictated by the maximum sheet I can print on my replica 18th-century wooden common press, is a bit larger than A2, and to print this sheet I have to pull three times, winding the carriage under the platen in three stages.
Tuesday, 24 May 2011
RECENT WORK AT THE PRESS, MAY 2011
Labels:
Bestiary,
Bodoni,
common press,
creative letterpress,
Ditchling Museum,
hand press
Sunday, 22 May 2011
VISIT TO STANHOPE PRESS AT DITCHLING MUSEUM
This is the very iron press brought to Ditchling by Hilary Pepler when he set up his first printing operation there (intially known as 'Ditchling Press') in January 1916. At the same time it was joined in Ditchling by a crown folio Albion press and two founts of Caslon Old Face type. The name of the Press was later changed to 'St Dominic's Press', after the Guild of St Joseph and St Dominic, but reverted after a couple of decades to 'The Ditchling Press'. This Stanhope press was later owned by Justin Howes, but returned to Ditchling after Justin's death in 2005.
The press, and indeed all the contents of Ditchling Museum, is being put into store for a couple of years while the Museum is being renovated and enlarged, so I was lucky to be able to see it in situ before it is dismantled. The Museum is currently appealing for funds for the renovation and building work, and is planning a big fundraising ball in September for which I am designing and printing in letterpress the poster and publicity artwork.
I am also working on a book on Ditchling printing to coincide with the reopening of the Museum. This will focus on the materiality of the printing establishment at Ditchling, rather than on the products of St Dominic's Press for which there exist several bibliographies.
Sunday, 8 May 2011
ALTAZIMUTH PRESS & TOM PAINE PRINTING PRESS AT BRISTOL ARTISTS BOOK FAIR & IMPRIMERIE CLOT, BRAMSEN & GEORGES, PARIS
Two of these images are of lithographic presses (an old Voirin star-wheel press, used for proofing, and a powered Voirin cylinder direct press) at the Editions Atelier Clot, Imprimerie Clot Bramsen & Georges Paris, which we visited last week and where we were very generously shown around by the master lithographer Christian Bramsen. It was particularly good to see very large lithographic stones being used.
The other images are of the Altazimuth Press and Tom Paine Printing Press stand at the Bristol Artists Book Event (BABE) on 30 April and 1 May, which was a great success overall, and particularly for the Altazimuth and Tom Paine Printing Presses. There was a huge amount of interest in my creative typography, some of which I showed last September at the Whitechapel (London Art Book Fair).
The other images are of the Altazimuth Press and Tom Paine Printing Press stand at the Bristol Artists Book Event (BABE) on 30 April and 1 May, which was a great success overall, and particularly for the Altazimuth and Tom Paine Printing Presses. There was a huge amount of interest in my creative typography, some of which I showed last September at the Whitechapel (London Art Book Fair).
Saturday, 26 February 2011
New ALPHABET prints
The lower print is a composition created from the 26 letters of the alphabet, all upper case, and all set at 45 degrees to the paper edge. This is printed on the wooden handpress (the 'common press'). It is a bit larger than A2 size.
Labels:
alphabet,
Creative Typography,
limited edition print
Saturday, 5 February 2011
Columbian Press & Tom Paine Printing Press at Works on Paper Fair
Printing is getting a rough deal from museums in London: no printing gallery any more at the Science Museum, the Type Museum closed indefinitely for lack of funds, the British Library printing gallery closed and its wooden 'common press' relegated to a corner outside the lavatories, and the display at St Bride not open to the public on a regular basis. The Science Museum in particular has no excuse, as it has huge amounts of under-utilised space. It's a great shame that museums seem to have abdicated any reponsibility they may once have felt to cherish our material culture (i.e. things and stuff) and to display and interpret them for the present and future generations. They seem to believe more in empty spaces (remind you of art galleries? Think Tate Modern's Turbine Hall as the classic example), which can be used for outside events and corporate entertaining. If the stuff isn't there on display, it can't feed and stimulate young imaginations. I remember when the Science and other museums were 'mathom houses' chock-full of magical things, and the wonderful effect this had on me and on others. Now they only show a tithe of their original displays. Philistines indeed! Trahaison des clercs.
Labels:
Columbian Press,
mathom house,
Museum betrayal,
Science Museum
Saturday, 29 January 2011
Happy Birthday to Tom Paine, and other letterpress work
Alaso shown are various letterpress Valentine cards, and an 'OFF WITH THEIR HEADS' print - not merely a topical allusion but a quotation from the mouth of Lewis Carroll's Red Queen in Alice.
Here's some quick info about where I'm showing my work (Altazimuth Press, poetic photobooks, and Tom Paine Printing Press, creative letterpress) this year (2011; accurate dates to follow):
2011
Works on Paper Fair, Science Museum, South Kensington, London, 2-7 Feb 2011
Here Gallery, Bristol, March 2011
Bristol Artists Book Event (BABE), April/May 2011
Artwave, Lewes, August-September 2011
Whitechapel Art Book Fair, September 2011
Oxford Fine Press Book Fair, November 2011
2012
Phoenix Brighton Open Studios: May 2012
Sunday, 19 December 2010
Off With Their Heads - Peter Chasseaud's new typographical print
With thanks to Lewis Carroll, who featured this phrase in Alice in Wonderland (the Queen of Hearts ordering the decapitation of the three gardeners).
Labels:
Creative Typography,
Lewis Carroll,
Queen of Hearts
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